
Here is another Iban pua kumbu design. We will post your comments from Facebook here.

Here is another Iban pua kumbu design. We will post your comments from Facebook here.

Design: Bali Belumpong Begambar Tengkebang Orang Gelong Batu Besundang
We call for readers and viewers who are versed with interpreting the design of the Iban pua kumbu. Please post your comments in this blog. Thank you.
Upon request by Vernon Kedit, here are close ups of the design pattern.



Here are some selective comments on the design above. Extract from Facebook.
Gregory Nyanggau:Baka gambar orang pulai ngayau nya …. antu pala begantong kiba kanan … (jngka aku) for enchaboh arong ritual.
Vernon Kedit-Jolly: Enda berani aku komen pasal indu buah mali ba pua tu. Enggai ka alah bulu ka utai ti di intu iya. Enda tau diayan ngapa pua tu. Enda tau enda dipiring.
Jacqueline Selaka: I just remembered my mom told me that when a Pua with less design or pattern…it is one of the highest rank of the Pua. Eventhough the Pua almost look blank without a pattern.
Vernon Kedit-Jolly: Only the weaver knows the ensumbar of the pua. It’s her secret. As for the category, it falls under two categories: Bali Belumpong (see http://vernonkeditjolly.blogspot.com/2009/09/classic-bali-belumpong.html) and Bali Tengkebang. Technically it is a Bali Belumpong with Tengkebang Patterns.
Vernon Kedit-Jolly: Bali Belumpong and Bali Tengkebang are in the high categories, but not the highest. The highest category is pua mali that are reserved and used strictly for Enchaboh Arong (Gawai Mata’, sekali ke tanju) and Gawai Burong – there are altogether a total of nine patterns in this highest category.
This pua as a category is not mali but the patterns on it are mali. Which makes it enda tau diayan sebarang ngapa enti enda dipiring.
Gregory Nyanggau: Top part – belumpong desigh (like stack of wood), 2nd part bali tengkebang (mixed design of various pattern), 3rd The enchaboh arong (receiving heads ritual), Middle part and most fearsome is the nyawa Antu Gerasi Papa with awesome teeth on top and bottom, the lower part are pictures of ladies holding piring, and bottom part are human figures (could indicate captured slaves boys).
Vernon Kedit-Jolly: Uncle Greg, the whole pua is known as Bali Belumpong, as the pua kumbu is sectioned off (lumpong) like logs. Bisi top section (lumpong pun), mid section (lumpong tengah) enggau bottom section (lumpong ujong). The upper top section shows straight lines known as the Bali Kelikut Gajai Langit. Then the lower top section shows an Orang Gelong with a creature, followed by an empty space bordered and guarded by pemucuk rebung (not teeth), and then more straight lines followed by another Orang Gelong (female) surrounded by burong in the upper bottom part. These Orang Gelong (not their real names as I don’t dare to mention their real names) are the actual Tengkebang parts as they are new patterns of how Orang Gelong is being depicted by the weaver. Bottom part or punggang ujong is not slave boys but the fearsome Manang Iling Bekenawing Pending Begerunjong Sanggang who guards the Orang Gelong. There is no Antu Gerasi Papa in this pua because Antu Gerasi cannot be in the same pua with Orang Gelong. They are enemies. The top punggang pun (right at the top) is the Sepit Api, a tool used by the Orang Gelong. This pua is about Orang Gelong doing something, and that is why I am scared to mention their names, enggai ka alah bulu.
Vernon Kedit-Jolly: James, please check with the old folks if this is one of her earliest or one of her latest pua, because in Iban weaving, the Bali Belumpong is normally woven as the LAST piece in a weaver’s “career” when she is of old age. It is NEVER woven when she is young. And only very experienced weavers who have woven many pieces beforehand can weave a new tengkebang. For it to be a Bali Belupong Tengkebang, it has to be one of her final pieces, like a swan song or a masterpiece.
Vernon Kedit-Jolly: Chak Lut, I don’t know the full name or ensumbar of this pua as only your ini wo would know as she created it and named it. It’s her secret, and maybe she told the female members of her family or descendants. Check with the old folks. But if you need a label, then you can call it the *BALI BELUMPONG BEGAMBAR TENGKEBANG ORANG GELONG BATU BESUNDANG* …but don’t say too loudly…anang inggar….just whisper it…

Any Dayak would know this ethnic dish – the kasam babi babas. Here is the simple recipe which you can try.
1/2kg preserved wild boar meat
2 cm ginger
3 pcs fresh chilli
1 teaspoon black pepper
1 tablespoon vegetable oil
1/2 cup water
Fried all the ingredient and stew until the meat is tender. Nyam nyam nyamm…

Here is the final pua weaved by my mrs. She joined the Iban weaving class (Nyungkit) organised by the Dayak Association Miri recently. The pua above took her 2 months to complete.

Gambar diambi dalam taun 1935 ba kebun Sungai Kara di Ulu Krian, Saratok.
L-R: Chuat ak Rembuyan, Unya ak Chunggat, Chu ak Chundie, Upam ak Subing (ari Dasei), Sendi ak Doo, Lantong ak .., Chundie ak Chunggat, Chunggat ak Doo.
Note: Chu ak Chundie, tauka Inik Uban tu mih indu ke tau nakar, tau engkebang. Pua kumbu ka dirintai ba belakang sida nya ditenun iya empu.
Tu cherita penatai kami di menoa Ulu Krian lebih ari seratus limapuluh taun menya. Cherita tu ditampung ari aki inik kami ke benama Doo ak Kantan.. tu munyi cherita iya..
Beserambau enggau taun ti keterubah Rajah James Brooke merintah menoa Sarawak dalam taun 1841, Doo ak Kantan, siko tuai Iban ke datai ari Paku, Saribas, mai bala iya pindah ngiga menoa ke baru serta lantang endor ngidup ke diri.
Doo ak Kantan ngiring bala iya pindah ari menoa ke di kumbai Nanga Tiang, ari ulu Samu di Batang Paku. Sida Doo maia nya bumai ba menoa ke di kumbai Temawai Tampak Panas, seberai Rumah Begat di Penom, Paku ke diatu.
Bala anembiak Doo ak Kantan semina diau di Temawai Tampak Panas pengelama tujuh taun aja, ari taun 1841-1848.
Pindah ari Temawai Tampak Panas, Doo lalu mai bala iya ngulu Sungai Paku, melunggang ke Bukit Medang serta terengkah di menoa Ulu Krian. Bala Doo terubah datai di menoa Ulu Krian dalam taun 1848 lalu ngentak ka rumah panjai sida ba Lubok Menoa.
Berapa taun udah lepas nya, rumah sida pan nyu ga udah jaik, lalu sida Doo pan lalu angkat pindah ari nya. Sida iya pindah, berumah panjai baru ba endor ke dikumbai Temawai Nyatu.
Angkat ari Temawai Nyatu, sida niri ka rumah baru ba kandang endor ke dikumbai Temawai Sungai Jawah, enda jauh ari Rumah Jawi, Nanga Awas, kediatu. Maia sida Doo ke diau di Temawai Sungai Jawah tu mih iya mati. Udah Doo ke mati, iya diganti anak iya ke benama Chunggat ak Doo, nyadi Tuai Rumah dalam taun 1888.
Ketegal laban perengka ramu ti dikena berumah dulu menya enda baka ke kemaia hari tu, dia deh rumah enda tentu tegap serta jampat endar jaik. Maia nya, sida Chunggat semina ngena kayu ke enda tan serta beratap ka daun kenulang, daun senggang enggau daun kering. Maia tu, bala kitai Iban di Ulu Krian apin bisi betanam ke mulong, ke tau dikena nyadika atap rumah. Maia tu mega, buluh perin dikena ngaga gelegar serta bedinding ke kulit kayu. Ketegal ke rumah jampat jaik, Tuai Rumah Chunggat suah bendar mai anembiak iya berumah baru.
Angkat sida Chunggat ari Temawai Sungai Jawah, sida iya pindah lalu berumah baru ba endor ke dikumbai Temawai Raong.
Ari Temawai Raong, Chunggat mai bala anembiak iya pindah serta berumah baru ba endor ke dikumbai Temawai Emperan. Udah berapa taun udah lepas kediau ba Temawai Emperan, Chunggat lalu mai anembiak iya ngaga rumah panjai ke tegap agi serta ngena kayu tras (tebelian). Enggau aum serta ati ke sama setuju, dia deh sida Chunggat serumah lalu belaboh ngentak ka rumah baru sida dalam taun 1930 ba endor rumah panjai Ulu Krian ke diatu, lalu rumah panjai nya bedau mengkang bediri nyentok ka searitu.